by tashmcgill | May 12, 2016 | Monologue, Prose & Poetry
It begins with the shoes. The red shoes. They hardly come out of the closet these days, but when they do – her walk is lifted, the tilt of her hips just ever so much more swung from left to right. Everything else is for her or for them, but the shoes – the shoes are for you.
Layer by layer she dressed this morning, knowing whichever direction the day thrust her, she would need to be ready and prepared to stand her ground. Calendars matter, to this woman. The schedule of roles she will play that day; friend, colleague, sage and unclaimed lover. The precise number of minutes given to eyeliner, perfume and mascara are counted out in the rush towards beginning the day. Every task their due and nothing other.
Layer by layer, her costume slides on dictated by what others need to see in her, or of her. She catalogues the demands inside her head.
Be soft, be warm, be strong, be open, be commanding, be wise.
Jeans and a casual shirt, because nobody wants to appear unapproachable. Business shirt and pencil skirt, or hip grazing, cleavage revealing black dresses with variations of red, navy and lace for days when she walks with people as powerful as she. Black when she needs to hide and red when she is feeling most alive.
Jackets and scarves chosen by necessity. She dresses first with perfume; in a sanctuary of scent she feels herself and then clothes rush on at the beginning of the day. Layer after layer dictated in the morning rush by how she will undress at the end of day. Not what you need to see but what she wants to show you.
After dark, things slow down.
Last on in the morning, at night first her jewels come off – pendants unwound from ivory neck while her fingers follow the slight curve where the artery rests. Hair pulled back exposing neck, an invitation offered gently in the night, only ever in the night. Cool night air whispers ‘welcome home’. Rings of heavy gold slide from fingers except the one band that never leaves her hand. That band that carries precious stories in its rubies. And now you know that ring is a symbol, you will want to ask.
Then those shoes, her arches sighing in relief but they give her calves a certain elevation and as her hips find their gravity again, she feels warm. The shoes were for you, but maybe also for her. There is no part of her body that does not come to life as she unclothes it.
The rest comes off even slower, the layers for them – demanding crowd. Off comes cotton, denim, polyester and ponte. Cuffs, collars and shirts unbuttoned one by one. Skirt unzipped and allowed to drop, kicked by painted dark red toe up into the grasp of hand and cast aside to laundry pile or hung up.
In this, she is most graceful and more so than in other parts of day. Dressed, she is more clumsy than most. More likely to stumble than to dance, but as layers slide off the dancer re-emerges. Back arched and ribs held high as joints flex and bend to undo all that is held together during the day. The collarbone emerges and the shape of her hits the light, curve and strength and softness. There are symbols and stories painted on her body in scars and ink; some of them you know but others you have not listened to yet.
Then silk, satin and lace. A dozen shades. Under the plainest of wardrobes, she is always silk, satin and lace. Stockings unclipped and eased down past bended knee; balanced in warm lamplight. Garter undone but she is not yet undone, there is still more to see, even more to know below bustier and corset and teddy barely containing soft breast. Still she is not undressed.
Here she is, left perfumed in the sweet musk and salt of the day, still layers of vanilla, sandalwood and orchid. High notes of orange, jasmine and patchouli. And this is her, both earthy and sweet. Vanilla, bergamot, florals and earthiness the essence of whisky, which is the other name by which you know her.
Still, layered in perfume she is not yet naked before you. She undresses but she does not leave herself unclothed.
It is beyond silk and lace, beyond what the skin wears and beyond costume of the day. Even removing silk and lace, undoing self entirely to the response of air against skin; all sharp pucker and caress. In undressing there are all elements of ache and relief, until she meets you, skin to skin and eye to eye. A dozen stolen, fleeting touches and then the eyes meet.
There is the wall you could not see til now, where every brick is a shout that said ‘Too much’, ‘too loud’, ‘too smart’, ‘too physical’, ‘too sensual’, ‘too strong’, ‘too intense’, ‘too present’ and the wall is hidden there, beneath blue eyes seeking out yours. Just one word is all she needs to hear – Leap!
Now, eyes upon eyes – back in a room full of strangers but where a glance and a look was true. There in a moment, her eyes slide from blue-gray flecked maybe to truest blue; she undressed for you.
A woman undresses from her eyes; as the shadow lifts and grey-blue hue turns to summer light – she is naked for you now. She leaps over the wall of misread doubt from voices past, while still clothed and disrobes for you.
It might happen in a room full of strangers; deep in the night while she pushes all noise and interruption to the side. Perhaps it happens while you’re not watching but she is thinking and assessing to one side. It is most likely to happen while you also, are watching her – the slow, steady and soon-to-be reliable slide of public to private sight. But whether she is still clothed in silk and lace, or wearing denim or corporate suiting for the day – she undresses from her eyes.
There is one story that is not told upon her skin, or in the ache of body that is expressed between the light and dark of night. She tells you only one story in the light of eyes unveiling into sacred, private sight. There is only one story that remains under cautious and wary eyes. The story of the Phoenix and the girl who rises.
‘I am the Phoenix, bold and wise. I am the Phoenix flying high and true and firm, but I will acquiesce for you. I will let you touch and hold my burning wing, hold my sharpened voice and sing, I will burn and rise again for you.. and let you see me, see me shining through. I am the Phoenix, I will rise again and rise and rise and rise again.’
And there she is, exposed at last – she is a creature of the myth. She undresses and you find her in between the grey and blue, the Phoenix, who rises and looks for you.
by tashmcgill | May 8, 2016 | Family, Monologues
Here’s the deal, Kid. I thought you’d be here by now but the truth is, you may never arrive at all. But I’m still your mama – fiercely, entirely and utterly yours. So I wanted to tell you a few things so you’d always know. Like how I want to love you so well and walk with you through all your failures. How I want to teach you everything I’ve learned while waiting for you and how I’m trying to be the best I can be for your sake. This is for you, kid – love from your Mama.
Dear Kid,
I’ve been waiting for a while to write these things down. Hoping I’d have the chance to tell you face to face one of these days. But ‘one of these days’ seems to be getting further away. There was a time I hoped you’d be five or even ten years old by now, though in hindsight, I’d be a better Mama now than then.
I say ‘I would’ because there’s no guarantee that we’ll get the chance to meet, kid.
Yeah, let that sink in a minute. It’s not how I wanted it to turn out either. I’m sorry, my darling. If you make it – if the universe conspires our way and I play my part and do my best, if love sends me a chance that I don’t fuck up and that man who is kind, strong and true loves me and wants you…then, maybe.
Kid, there are so many ifs in this world. So I’ll tell you now, so you’ll always know.
I will love you fiercely and as well as I can. I won’t make promises I can’t keep about nappies or organic food, how design perfect your nursery will be or how well-accessorized your buggy may be. But you’ll be fed, clothed, bathed and loved. It’s how I love you that will make the difference.
I will learn how to love you and give you the chance to learn to love me. I’ll help you love and understand your Dad and he’ll probably help me out a lot too. I do want to promise you, that I’ll do my best to model partnership with your Dad and to love him deeply. I want you to grow up knowing what real love looks like, feels like, sounds like and that you came from it.
I can’t wait to see who you’ll be and I’ll do everything I can to celebrate that. I will never ask you to be less of yourself. I will do my best to help you navigate the world as you are.
I want to be that Mama that you can laugh with all the time, a trusted place for your secrets, the Queen of spontaneous adventures. I want us to be late home because we had to stop to watch the sunset. For our backyard to always be ready for a sleep out under the stars. I want to share my love of traveling and adventure with you – teach you how to travel light through life and how to find your way home always.
Oh, I hope you get to see the world with big wide eyes and to embrace the wonder I have at the stars and the moon. I want all those things for you and then, I want to walk you through every crisis and every failure. I want to help you learn how to pick yourself back up and what it really means to be resilient (because that was the toughest and loneliest lesson for me). I know you’ll have times of loneliness that I can’t fix, but I want to walk through it with you. And I will try, with shaking hands and tears and self-control, to embrace your rebellion when you need to find your independence.
I guess what I’m saying is, I’ll try to give you just enough but not so much that being your Mama is more about me than it is about you. I want to be good but I’m not perfect. You’ll learn that but the point is I’ll try. I’ll try not to control you, shape you too much to my liking, I’ll try to engage with you as a person and teach you what discipline you need but to always explain ‘why’.
I dream of the day you will explain parts of the world to me that I don’t know, because you see it differently. And my joy will be that I taught you to see, not what to see. You will be so different from me, kid – but I hope you get the parts of me I like most.
Like dinner parties, books and lazy Saturdays, pyjama days, eggs-in-a-basket, beaches, day-dreaming in the clouds, stopping to drink in all the senses. I hope you love to snuggle and hug your whole life long. Otherwise know I will always be chasing you for kisses and cuddles. Of course, the parts of me I like best are my love of physical touch, the storytelling, the music and creativity, the deep well of laughter and wild abandon and the empathy and compassion. I hope you get some of that – it’s the stuff I’ve learned how to navigate best. But then, your Dad will have a lot to teach you too. I promise to make space for him. In fact, I hope there are times when he is your whole world.
Of course, I want our house to be that house where all your friends come after school and to have parties for the sake of parties. I want you to grow up knowing the love and strength of family that is both blood and choice. You’ll have a dozen aunties and uncles who will love you as their own, I’m sure. And my darling, some of them will be weird. That’s important, because the weird ones are the good ones. I won’t be everything you need in life, neither will your Dad. You’ll need your weird aunties and uncles, your friends too, to help you learn how to be, how to live and how to navigate the world. You’ll need them to talk to when you’re mad with us – which is bound to happen.
It’s hard to talk you and not think about your Dad, so I’ll say this. No matter what happens to he and I, in the long road of life – I’ll have the best relationship with him that’s possible at any time. You’ll see us fight, no doubt, but I plan for you to see us make up too. To know what healthy communication looks like. I hope you’ll see us love more than anything else, to team up for you and beside you and for each other. I really want for you to see that grittiness is okay. It’s real and achievable. That real is the very best thing because you get to define it yourself. Of course – these are lessons that I’m still learning, kid, so I’m letting you know in advance.
It takes a lifetime to learn to be yourself and I won’t get to see it all, kid but I will do my best to set you up on the right path. Not a path that leads to a particular destination of being a ‘this’ or a ‘that’, but the path of learning. Learning how to learn, learning how to be, learning how to love well. Before I go, I plan to see you a long way towards being yourself.
I hope you’ll benefit from the lessons I’ve learned while waiting for you. You see, that’s what I’ve been doing. I know that I’ll only do my best by you, if I’m the best version of me there is. The truest version of me there is.
So I wake up each day and focus on being as healthy and strong as I can be physically. I want to climb mountains with you and throw you in the air and make love to your Dad for my whole life. Oh wait… you probably didn’t want to hear that last part. But it’s true. I want you to grow up in a world of positive, life-giving beautiful touch – a house that thrives on the vital energy of life.
I wake up each day and look to strengthen my mind. I’m still becoming myself and learning to have my own voice after all these years. I’m taking down decades of barricades at the moment and it’s for you as much as myself…. I want to love you in my full voice, kid. I’ll keep working on it, whether you arrive or not. When you get here, you’ll bring a bunch more lessons with you, I’m sure. I will try to prepare myself in advance.
So I wake up on Mother’s Day, kid – and I’m thinking of you. If you don’t ever make it, it’s okay. I promise. Everything I’ve learned waiting for you, I needed to know anyway. But I wanted you to know, kid, that I’m your Mama through and through. Even the idea of you is a gift I’m glad of, a point in the compass that guides my way. I’ve been your mother my whole life.
Rest easy, kid. Maybe soon. Keep an eye on the stars and the moon – I watch them too, and I believe in magic.
Love,
Mama.
by tashmcgill | Apr 27, 2016 | Culture & Ideas
‘You can read it, if you like.’
(The story written to explain the chapters of life before now, where we intersect.)
He said it with nonchalance and maybe because the words were light leaving his tongue but heavy by the time they landed in my ear, I was struck off-balance. I imagine at least, that the words were not heavy with meaning for him, because how would I imagine that those words leaving his lips are as costly for him as they are valuable to me on hearing them?
They landed in my ear and my hand at the same time, little stones dropped into a lake and their ripples sweeping out and down my limbs.
I do not trade in stories lightly, I want to tell him. I hold the stories of others as precious as I hold my stories close. Stories are secrets and trust and truth.
Truthfully, my stories are kept safe behind a tall, brick wall. Stories of my doing, they are like climbing roses on the outside of the wall. Pretty, sweet and sometimes funny I can tell these stories easy and only those who pay close attention will see the bricks behind the flowers.
Lately, I have been thinking about taking some of those bricks down.
Beyond the brick is a wild garden. It is fragrant and sweet, full of fruit and nut trees. There is a river through one corner and the sun falls nicely on the grove of trees. It is both wild and well-tended and it cannot be defined as one thing or another. It is not English nor tropical. It is all things, all being, all stories in their raw and imperfect state. Unfiltered, unrestrained.
Lately, I have been thinking about taking some of those bricks down.
It means something to me, this exchange of the wild, unbound stories. Stories are trust; credit in the bank of understanding. Not understanding as assurance of anything but acceptance and the safe bravery of being Known.
Grace and meaning come from trading stories in my world. Knowing your stories is one step closer to knowing you, the real you – outside the carefully polished mannequins we live inside. At least, I assume it is that way with others, as it is that way with me.
It is a precious thing to hold somebody’s story in your hand. And it is never one story but a collection of tales that weave together one and then the next and the one after. You can traverse sideways, backwards and forwards through the story of another; moments of history and glimpses of the future. So one story could mean all the stories, if you navigate well.
“All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story; to vomit the anguish up.” James Baldwin
I keep a rose garden, that grows on a brick wall. The roses thrive on the sun, strapped in obedient lines against a sturdy spine. Well-practiced stories chosen for each moment. A careful selection of which practiced line is safe to use.
Here is the secret, buried in the brick. If I say the wrong thing, tell the wrong story, express the wrong feeling or tell you what I think before I know what you expect, need or want for me to say – then you, whoever you are, will disappear. A terrifying fear that I am responsible for my aloneness by never being the right thing; good enough, funny enough, wise enough, sweet enough, fierce enough, never enough.
Not an uncommon secret, but mine nonetheless.
Beyond the brick, there is a garden I have come to love. I’ve been living in it, behind the wall my whole life. And lately, I have been thinking about taking down the bricks.
There are some brave and patient ones who have made it far beyond the bricks. They have found crevices through which to crawl. For them, the wild and untamed self delights uninhibited. The storytrader gives freely there and the garden is bountiful. People eat and find shelter and laugh and love is made the whole day long and into the night. The land is good. I peek over the wall and through the window in the gate I hid so well and wonder now, whether I dare wait for those intrepid enough to make their own way through the wall.
Life beyond the brick is good and sweet and sensual and gritty. Lately, I have been thinking about opening the gate or taking down the bricks.
by tashmcgill | Apr 20, 2016 | Culture & Ideas
I live according to a few basic guidelines. It’s a way of navigating through life, which is as complex as it is beautiful. More than mottos, these are principles that help guide my decision-making and my responses to what happens around me.
What’s for you will not pass you by.
I am the master of my fate, I am the captain of my soul. (Henley)
There’s a lesson in everything.
There is something gold and loveable in everyone, even if you have to dig.
Actions speak louder than words, but if you speak let your words be true.
Don’t waste energy or thought on what can’t be changed.
Don’t waste energy or time on negativity.
Assume positive intent always.
Hurt and disappointment are the result of unmet expectations.
You have everything and everyone you need to solve the current problem.
Everything is working together for good.
They are a good way to live, but not perfect. Sometimes you learn a principle no longer works because you outgrew it or your circumstance changed; sometimes it ceases in relevance. Sometimes you add new ones, as you grow and face new challenges.
In 2015, I had a principle: true hair, true feelings. I’d been a redhead (again) for a year or so, but the more time wore on, the more the Ginger had a personality of her own. She helped me try a lot of new things, but I wasn’t entirely myself. I became brunette again, and concentrated on understanding what it is I really felt, really wanted, really desired. Confession: I miss the Ginger.
So here’s another confession: I didn’t just outgrow one of my biggest principles, I was dead wrong about it. There, I said it. I’ve been walking around with a false belief for almost my entire life.
You have to give people your trust first to let them prove it.
So very wrong and now you know I was, too. The map of how I got to that belief is not a story for here, but I have always thought the best way to discover if someone is trustworthy was to trust them first and see if they earn more trust. I always thought it was too much of a tough ask to earn trust from a blank canvas starting point. Call it a fatal weakness of my optimistic outlook, but I have hoped for the best in people. Hoped for the best in workmates, in friends, in people I admire and in relationships too. I was hoping they were trustworthy and hoping I wouldn’t be wrong about it.
I’m an idiot.
I have always taken a certain amount of pride in being to face any circumstance with ease. In business I’m adaptable, a fast and sure-footed decision-maker and as an empath, I can navigate the complexities of many social situations, putting people at ease with a little friendly conversation and banter. (When other people are at the center of my attention.)
I can make easy conversation with a stranger at a bar. I can walk into a variety of situations without fear. I have broken curfew in Haiti to buy rum from a gas station, the only woman within miles. I have used my kickboxing training to wrestle my way free from a late-night carpark attack. (I have the scars to prove it. Concealer is a miraculous thing, when you need it.)
But I have other scars too, ones that require a different kind of cover-up. The ones left behind from getting it wrong when it comes to trust, mistakenly vulnerable with those things I value most.
Sometimes you choose to trust someone and if they let you down, it doesn’t matter at all. There’s no high stakes and no skin in the game. Other times, you choose to trust but you’re not only trusting another person, you are also trusting yourself. Trusting your own intuition, your ability to judge the character of others but also to make your own wise choices and avoid poor assumptions. You trust yourself to hold yourself safely together while giving parts of yourself away at the same time. You have to trust yourself to be vulnerable, but to do so wisely and in safe places.
You can trust yourself until you make a mistake, until your intuition fails you. Until you realise maybe you can’t be trusted to choose wisely who to be vulnerable with. You become very afraid.
Within me the battle goes on; a child-like girl who opens her vulnerable heart to the world over and over against the terrified one who holds herself back at every turn. Most of the time, the child-like girl hopes and the fearful girl hides.
The result is I become a little bit vulnerable with everyone, but I don’t know how to move past fear of being truly vulnerable with those I know I can trust. There are, of course, exceptions – my childhood best friend, my trainer and those that have proven themselves over time.
I must choose to trust others again, but I must also learn to trust. Trust has a shape and a form, a sound and a fingerprint created over time. And this, the hardest thing to learn: trust doesn’t look like hope – hope is an altogether different thing. Hope is the belief that everything will work out in the end, but trust is the platform for vulnerability, the vital connection that helps us get there. Hope sustains us, but vulnerability strengthens us to have real connection.
I have confused hope and trust over and over again, because I am so drawn to hope. But trust is built and proven over time, earned in a series of small actions and intimacies that demonstrate what is safe and good and kind. Best summed up by Charles Feltman, who wrote The Thin Book of Trust, trust is “choosing to risk making something you value vulnerable to another person’s actions.”
Brené Brown says that without trust there can be no meaningful connection between people. And people are the most important thing in my world, connection the only thing I long for. So in learning to trust myself again, I can trust others, which leads to true vulnerability and connection. Simple!
And this, the hardest thing to learn: trust doesn’t look like hope – hope is an altogether different thing.
Trust looks like unpacking those scars and reversing them. Trust looks like paying attention to the small things, making the calls and knocking on the door. Asking the questions and answering them too. Following through on the gritty conversations, letting your actions speak louder than words, but your words also being true. Trust is not accidental or insecure. Trust is persistent and optimistic.
Do you know what hasn’t changed? I still go looking for the gold in everyone. I still tend towards trusting more than distrusting. I am still an optimistic idealist and there is a lesson in everything, even the most painful mistakes I’ve made. What’s for me will not pass me by, whether by the fates or the winds I choose to sail by. I find myself in the waiting space, because trust takes time. It will take time to trust myself again, now I realise where to begin and I will keep digging up the gold within.
Hopeful, optimistic and willing to trust beyond fear.
by tashmcgill | Apr 9, 2016 | Poems
When does discovery end? How do you know when you have learned enough or all things? I think ‘discovering’ is a present art; could we not practice it endlessly, traversing ever deeper and higher and wider? When can you say you are known or know another enough? We are ever-changing, ever-expanding and always being re-shaped by our being known and knowing another.
19th
this then, is how it can be
in the midst of a storm on the sixth day
of the seventh week but only the 19th hour
now making a star map from definitions
this then, is how it can be to know
but not make knowing a cage
instead just knowing, a long intention
and a longing for safe and true and kind
but knowing is measured so differently
this then, is how it can be to halt abruptly at the pass
the knowing and unknowing
one counts in minutes and hours and questions and answers and singular actions
and the other measures the expanse of singularity
like the universe, one ever expanding idea of another
a deep, blue diamond erupting from an earth stone
a long unceasing listen and look
this then, is how to see one thing as another
by definition of all things and nothing
a half of a half and a whole and an inversion
an upside-down moon, to see a star and not a starry sky
this then, is to kiss your counting – minutes, hours, touches, questions
with a soft, warm, expanding idea to hold them all
your knowing which is one thousand cuts in a stone chiseling me out
and my knowing one gleaming stone that holds the deep ocean and expanding sky
this then, is how it can be
to learn to count stars and the passing of time
in hours, words, questions and answers and
the size of an idea by the weight of warm navigation
from 19 to 20.
