The Fringe.

The Fringe.

Christian culture is near obsessed with the center. Words like mainstream and crossover drip off the tongues of A&R guys like diamonds. Influence is king. The idea of bands, writers, speakers, actors being part of the Christian community and the ‘influence’ they’ll wield on mainstream culture is like an elusive Holy Grail.

All of it is about the center.  This idea that if we move enough of ‘our people’ to the center, that things will change. That people will convert quicker. But I don’t want conversions. I want believers. I want to see people on a journey of faith. So scratch that argument. Let’s just say, that if we can get enough of our people to the center, then we’ll be in the midst of the biggest crowd.That’s how crowds work. Cities have their dense population of buildings and allotments in the center, slowly spiraling and spreading outwards.

So Christendom gets continually caught in the pull towards the center. And anyone in the center, who seems remotely accessible, we love to hijack. We confuse country artists with gospel singers because they sing the themes of colloquial spirituality we’ve grown up with.

Still, I believe, that it’s a futile pursuit if we really want influence.  The fastest way to the center is to go to the fringe. The biggest area of influence is the circumference of the circle, not the center of it.

The artists, the writers, the thinkers – and really, it’s the thinkers that are key to influencing the thoughts and ideas that are expressed at the fringe.  I know I’ve written about this before, this idea that shuffles through the way I write and express. But it has a grip on me.

Re-thinking, re-inventing, imagination and discovery can’t be found at the center of the circle. In order to be stretching out on horizons, you simply must be at the fringe. In the eclectic community of people that live there. They are a bit transient. They move on rapidly and with fluidity. They hold ideas loosely and let themselves be shaped.

It’s a marvellous gift to be at the fringe, because there’s both the luxuriating, intoxicating ability to observe the center from the external, whilst still being connected to it. And when the center every so often takes one of the fringe thinkers, writers, artists, poets, songwriters into the core… to be lifted up high for a moment.. it’s pointing the way towards what the fringe has already discovered.

I write again, “the words of the prophets are written on the subway walls”. What sets Lady Gaga apart from Miley Cyrus? Gaga is prophesying a shift and change in our expression of sexuality and sensuality, of power between men and women, the importance and assignment of gender. What the gossip columnists write about is simply the popular mythology around the questions she stirs in us… but by the time the center catches up, she’ll have moved on to some other idea.

Think Madonna and her expressive sexuality of the 80s and 90s. Think Dylan and the political songs of the 60s and 70s. Think Elvis and gyration.. the idea that a man’s sexuality and power could be proven by his dancing..

Think Kate Shepard, DH Lawrence, Walt Whitman, ee cummings and all the ideas they played with and changed.. now long dead as the center is still discovering and embracing fluid punctuation, punctuation you can play with. Now expressed in TXT language.

So it’s the fringe and always the fringe.  Now that indie pop and alternative folk songs are cool.. something new must emerge. Slowly what happens at the fringe is carried through to the center. That’s why the best writers and thinkers go out to the edges of truth and what is, to imagine the what could be. They lift it up in the light, examine it and capture something that can speak to the whole.


The height of creativity is to go to that playground at the edge of imagination, spirituality, culture and sociology and to experiment with something entirely new.

Write something on the subway walls. Create something new and unheard of. Take it to the fringe. Make a home for yourself on a journey not a destination… choose to travel outwards and outwards and outwards. 

PACIFIC SONG

PACIFIC SONG

Oh I can hear you at my door
I can hear your roar
But I’m not remotely close
To caving in and heading home 
Still it’s not enough oh I need more
Need to feel you on my skin again 
Oh I’ll slip in on the dawn
Not too many nights from now
Feel you under my toes
And on my skin again
Home sweet sea and mountain
While I’m here in the dark
Stark black water on a pier
I can stand out in the pacific
you’re in sunlight to the west of me 
Still it’s not enough oh I need more
Need to feel you on my skin again

Like A Gardener.

Yesterday I was having coffee with my frievnd James. He asked if I had ever been employed by a church and whether or not I enjoyed it. I was watching documentary show on TVNZ6 last night, called My God. It was an interview with a Catholic nun, so long in His service she had retired, some sixty years of life following her vows.
At the beginning these things might have been unrelated, but slowly the threads emerge.


The answer to James’ question is Yes, and sometimes. It got me thinking as I watched the story of this nun unfolding..


1.
In our obsession with youth, we ought to listen more the stories of the truly old. I mean no disrespect but age is the best term.  It seems those older, quieter voices.. the returned missionaries, retired nuns.. those who have witnessed so closely the suffering of humanity and experienced a present God seem to have grasped something in choosing to accept the paradox. They are fully reconciled to God, knowable and unknowable as he is. 


She had such delightfully liberal praxis in regard to the reality of human and faithful life. She decried and mourned the tragedies of sexual abuse in Christian institutions but also expressed empathy and concern for the priests who had struggled to maintain vows of celibacy. She advocates choice… and then said “Of course, the Church doesn’t agree yet, but sometimes we go out in front a little way ahead, and we are allowed to.” She recognizes that the authority and power of her faith comes from outside the institution.


2.
She talked about her garden. When she retired from active service, if you will, she was asked what she would like to do. Gardening and taking care of the outside grounds was her choice. She talked about building hedges to protect from the southerlies. Then we saw pictures of a community garden. Her philosophy was simple.. though she started it, she doesn’t run it. She pays her $10 fee and pays special attention to the compost, because she’s ‘mad about compost’.


 Her theology of gardening was simple and beautiful. We, who began in a garden, can find something uniquely spiritual in the act of tending a garden, growing and nurturing food. Our hands, down deep in the soil, could transcend human experience to touching something of the Creator in each of us. Transcending denominations, institutional religion or no religion at all, the act of gardening is one of the oldest tasks we know. As she alluded, there’s something in that for everyone.  It’s the Imago Dei she’s talking about of course, that part of us that is the Creator sensing the Creator in the earth around us.


3.
When I thought about my seasons working for churches and church organizations, one of the recurring themes is soil. That the times I loved it most and thrived, were the times I had permission to nurture and tend the soil.  Where there was opportunity to grow something, to create something.  


Most plants are small. They are seasonal. They have colour and flavour. Some are just for the fragrance they give to the garden.  Each are distinct. Some keep the bugs away, some attract the bugs. Everything nurtures and enriches the experience of the garden. Even the shit and decay brings richer nutrients into the soil.

So, I desire to minister more like a gardener. Prune a little, shape a litte, plant a little, take a little. Stopping and smelling the roses.

Two Years On.

Reborn and shivering
Spat out on new terrain
Unsure unconvincing
This faint and shaky hour

Day one day one start over again
Step one step one
I’m barely making sense for now
I’m faking it ’til I’m pseudo making it
From scratch begin again but this time I as i
And not as we

Gun shy and quivering
Timid without a hand
Feign brave with steel intent
little and hardly here

It’s been two years since my last Eastercamp. Gosh, that went quickly. Didn’t feel like it at Year One, but at Year Two it seems like a flash in the pan. By Year Three, there’ll be barely a trace left… I won’t recognize the faces or the names. That’s how quickly it can all turnaround. 

Year One, I mostly just stayed home, cried, cooked and drank a little. Or a lot. But it was mostly red wine and I had a very communion-y mindset about it. It was a very sad and angry communion, so it was especially important. 


Year Two.. I mostly just stayed home but participated in some Easter celebrations, even some leading of the procession in my local community. Helped with the re-telling of the story to some 10 – 13 year olds. Told a story about being less of a priest and more of a person, singing the songs of ascent up to the Temple steps. 


I still miss the anticipation of telling the story. I miss the community of friends. My inner self trembles with anxiety that I won’t be that good again, that others will be better. Until I realize that is what I want, despite myself. I still want what has come after me to be better than I was. Doesn’t make me feel very righteous though. And maybe that’s better, the nothingness and then the desire.